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The lyric and guitar chord transcriptions on this site are the work of The Guitarguy and are intended for private study, research, or educational purposes only. Guitar Player magazine is the complete acoustic and electric guitar package. Featuring free online acoustic and electric guitar lessons, tutorials and videos for both. Beyond The Moon (G) 2: 4. Engvick- Hathaway- Mondello) 1. Honeysuckle Rose (G) 3: 0. F. Opus Local 8. 02 (H) 2: 5. Fletcher Henderson)1. Board Meeting (H) 2: 4. Hite- Brooks- Hampton- Goodman) 1. Squeeze Me (tk.- B) (I) 3: 0. F. Cocoanut Grove (J) 3: 0. B. Night And Day (alt tk.- B) (C) 2: 5. Cole Porter) 2. 2. Down By The Old Mill Stream (alt tk.- 3) (D) 2: 4. Telford Taylor) 2. Down By The Old Mill Stream (alt tk.- 2) (D) 2: 3. Telford Taylor) 2. Opus Local 8. 02 (alt tk.- B) (H) 2: 5. Fletcher Henderson) 2. Squeeze Me (tk.- A) (I) 3: 0. F. Cocoanut Grove (alt tk.- 1) (J) 3: 0. B. The Hour Of Parting (K) 3: 1. G. Crazy Rhythm (K) 2: 3. Meyer- Kahn- Caesar) 3. Who Cares (So Long As You Care For Me) (L) 2: 4. G. Just Like Taking Candy From A Baby (L) 2: 4. F. Nostalgia (M) 3: 1. Robert Stolz) 6. Henderson Stomp (N) 2: 2. Fletcher Henderson) 7. Benny Rides Again (N) 4: 4. Eddie Sauter) 8. Superman (P) 4: 3. Eddie Sauter) 1. 0. Moonlight On The Ganges (- 1) (P) 3: 1. Ewing- Tilsley- Trevor) 1. Somebody Stole My Gal (Q) 2: 4. Leo Wood) 1. 2. Let The Door Knob Hitcha (R) 3: 0. M. The Hour Of Parting (alt tk.- 1) (K) 2: 5. G. Crazy Rhythm (alt tk.- 3) (K) 2: 4. Meyer- Kahn- Caesar) 1. Who Cares (So Long As You Care For Me) (alt tk.- 5) (L) 2: 4. G. Just Like Taking Candy From A Baby (alt tk.- 1) (L) 2: 4. F. Benny Rides Again (alt tk.- 3) (N) 4: 5. Eddie Sauter) 1. 8. Superman (alt tk.- 2) (P) 4: 3. Eddie Sauter) 1. 9. Superman (alt tk.- 3) (P) 4: 3. Eddie Sauter) 2. 0. Moonlight On The Ganges (- 3) (P) 3: 1. Ewing- Tilsley- Trevor)2. Moonlight On The Ganges (- 2) (P) 3: 1. Ewing- Tilsley- Trevor)2. Somebody Stole My Gal (alt tk.- 3) (Q) 2: 5. Leo Wood) 2. 3. Let The Door Knob Hitcha (alt tk.- 2) (R) 3: 0. M. Let The Door Knob Hitcha (alt tk.- 3) (R) 3: 0. M. Time On My Hands (S) 3: 0. Adamson- Gordon- Youmans) 3. Scarecrow (T) 3: 0. Benny Goodman) 4. Take It (U) 3: 1. Margie Gibson) 5. Solo Flight (U) 2: 4. Goodman- Christian- Mundy) 6. Intermezzo (V) 3: 0. H. Fiesta In Blue (V) 3: 1. B. Cherry (V) 2: 5. Don Redman) 9. Something New (Negra Soy) (W) 3: 2. A. Air Mail Special (W) 2: 5. Goodman- Christian- Mundy) 1. Tuesday At Ten (X) 3: 2. Skip Martin) 1. 3. La Rosita (X) 2: 5. G. Scarecrow (alt tk.- 4) (T) 2: 5. Benny Goodman) 1. Scarecrow (alt tk.- 3) (T) 2: 5. Benny Goodman) 1. Scarecrow (alt tk.- 2) (T) 3: 0. Benny Goodman) 1. Take It (alt tk.- 3) (U) 3: 1. Margie Gibson) 2. Take It (alt tk.- 2) (U) 3: 1. Margie Gibson) 2. Solo Flight (alt tk.- 2) (U) 2: 4. Goodman- Christian- Mundy) 2. Fiesta In Blue (alt tk.- 2) (V) 3: 0. B. Cherry (alt tk.- 3) (V) 2: 5. Don Redman) 2. 4. Cherry (alt tk.- 2) (V) 2: 5. Don Redman) 2. 5. Something New (Negra Soy) (alt tk.- 2) (W) 3: 2. A. Tuesday At Ten (alt tk.- 1) (X) 3: 2. Skip Martin) DISC IV1. Pound Ridge (Y) 2: 5. Benny Goodman) 3. The Birth Of The Blues (AA) 3: 1. Brown- De. Sylva- Henderson) 4. The Earl (BB) 2: 3. Mel Powell) 5. Caprice XXIV Paganini (CC) 2: 4. Eddie Sauter) 6. Clarinet A La King (mtx. CC) 2: 5. 2(Benny Goodman)7. The Count (alt tk.- 3) (Y) 3: 2. T. The Count (alt tk.- 2) (Y) 3: 1. T. Pound Ridge (alt tk.- 4) (Y) 3: 4. Benny Goodman) 1. Pound Ridge (alt tk.- 3) (Y) 2: 5. Benny Goodman) 1. Pound Ridge (alt tk.- 1) (Y) 2: 5. Benny Goodman) 1. The Birth Of The Blues (alt tk.- 1) (Z) 3: 2. Brown- De. Sylva- Henderson) 1. Clarinet A La King (mtx. AA) 3: 0. 2(Benny Goodman) 1. Clarinet A La King (mtx. AA) 3: 0. 1(Benny Goodman) 1. Clarinet A La King (mtx. AA) 2: 5. 8(Benny Goodman) 2. Clarinet A La King (mtx. AA) 2: 5. 7(Benny Goodman) 2. The Earl (alt tk.- ?) (BB) 2: 1. Mel Powell) 2. 2. The Earl (alt tk.- 1) (BB) 2: 3. Mel Powell) 2. 3. Clarinet A La King (mtx. EE) 3: 1. 8(Benny Goodman) DISC V 1. At The Darktown Strutters Ball (FF) 2: 2. Shelton Brooks) 2. Jersey Bounce (GG) 2: 5. Bradshaw- Bruce- Feyne- Johnson- Plater) 3. A String Of Pearls (HH) 2: 5. Jerry Gray) 4. Before (Rachmaninoff Special) (II) 3: 2. Rachmaninoff- Connelly- Camarata) 6. Peter And The Wolf (II) 3: 0. Sergei Prokofiev) 7. Six Flats Unfurnished (JJ) 3: 1. Richard Maltby) 8. Mission To Moscow (KK) 2: 3. Mel Powell) 1. 0. Love Walked In (LL) 3: 0. G & I Gershwin)1. Clarinade (NN) 2: 3. Mel Powell)1. 2. Jersey Bounce (V- Disc tk.) (FF) 2: 5. Bradshaw- Bruce- Feyne- Johnson- Plater) 1. At The Darktown Strutters Ball (alt tk.- 4) (FF) 2: 2. Shelton Brooks)1. At The Darktown Strutters Ball (alt tk.- 3) (FF) 2: 2. Shelton Brooks)1. At The Darktown Strutters Ball (alt tk.- 2) (FF) 2: 2. Shelton Brooks)1. Jersey Bounce (alt tk.- 4) (GG) 3: 0. Bradshaw- Bruce- Feyne- Johnson- Plater)1. Jersey Bounce (alt tk.- 3) (GG) 2: 5. Bradshaw- Bruce- Feyne- Johnson- Plater)1. A String Of Pearls (alt tk.- 3) (HH) 2: 5. Jerry Gray) 1. 9. A String Of Pearls (alt tk.- 2) (HH) 2: 5. Jerry Gray) 2. 0. Ramona (alt tk.- 3) (HH) 2: 4. W. Ramona (alt tk.- 2) (HH) 2: 4. W. Ramona (BD) (HH) 2: 2. W. Mission To Moscow (alt tk - 3) (KK) 2: 5. Mel Powell) 2. 6. Mission To Moscow (alt tk - 2) (KK) 2: 5. Mel Powell) 2. 7. Love Walked In (alt tk.- 1) (LL) 3: 0. G.& I. Gotta Be This Or That (Pt. Pt. 2) (MM) 5: 4. Sunny Skylar)2. Just You, Just Me (OO) 2: 4. J. Somebody Stole My Gal (PP) 3: 1. Leo Wood) 5. Lucky (alt tk.- 1) (QQ) 3: 0. B. Fascinating Rhythm (RR) 2: 5. G.& I. Lucky (master - 4) (SS) 3: 0. B. Rattle And Roll (SS) 3: 1. Basie- Clayton- Goodman) 9. Swing Angel (TT) 3: 0. Clayton- Goodman) 1. Fly By Night (WW) 3: 1. Jack Pleis) 1. 3. Put That Kiss Back Where You Found It (XX) 3: 0. C. Gotta Be This Or That (Pt. MM) 3: 2. 7(Sunny Skylar) 1. Gotta Be This Or That (Pt. MM) 2: 2. 9 (Sunny Skylar) 1. Lucky (alt tk.- 2) (QQ) 3: 0. B. Lucky (alt tk.- 3) (SS) 3: 0. B. Rattle And Roll (alt tk.- 2) (SS) 3: 2. Basie- Clayton- Goodman) 2. Rattle And Roll (alt tk.- 3) (SS) 3: 2. Basie- Clayton- Goodman) 2. Swing Angel (alt tk.- 3) (TT) 3: 4. Clayton- Goodman) 2. Swing Angel (alt tk.- 2) (TT) 3: 2. Clayton- Goodman) 2. Fly By Night (alt tk.- 3) (VV) 3: 0. Jack Pleis) DISC VII1. Down South Camp Meetin. Mean To Me (AAA) 2: 5. R. Turk- F. Ahlert) 3. South Of The Border (AAA) 3: 0. M. Muskat Ramble (AAA) 2: 2. Armstrong- Gilbert- Ory) 5. Star Dust (BBB) 3: 2. H. King Porter Stomp (BBB) 3: 0. Jelly Roll Morton) 9. When Buddha Smiles (CCC) 3: 1. N. Sunrise Serenade (CCC) 3: 0. F. Wolverine Blues (GGG) 2: 5. Morton- Spikes- Spikes) 1. Back In Your Own Backyard (HHH) 2: 4. Jolson- Rose- Dreyer) 1. Swing Into Spring (HHH) 2: 4. J. Swanee River (HHH) 3: 1. Stephen Foster) 1. Hora Staccato (ZZ) 2: 3. G. Poor Butterfly (ZZ) 3: 1. J. L. Golden- R. Hubbell)2. Moonglow (DDD) 2: 2. Hudson- De. Lange- Mills) 2. Georgia On My Mind (DDD) 3: 0. H. Carmichael- S. Gorrell) 2. 2. I Gotta Right To Sing The Blues (DDD) 2: 2. H. Goodbye (EEE) 3: 1. Gordon Jenkins) 2. Embraceable You (EEE) 2: 3. G. Gershwin- I Gershwin) 2. Lover, Come Back To Me (EEE) 2: 3. O. Hammerstein II- S. Romberg) 2. 7. If I Had You (EEE) 2: 4. Campbell- Connelly- Shapiro) ////////////////////////////////////////////////////////CLASSIC COLUMBIA AND OKEH BENNY GOODMAN ORCHESTRA SESSIONS (1. DISCOGRAPHYAll releases are credited on the original issues as Benny Goodman and his Orchestra unless noted. For the purposes of this discography, only the first issue is listed unless contemporaneous issues exist. All are American releases unless noted (Arg) for Argentina, (J) for Japan, (Sd) for Sweden or (UK) for United Kingdom. Unless noted, all issues were originally released on 7. Col for Columbia, Har for Harmony, OK for OKeh and Par for Parlophone. LP label abbreviations: BD for Blu- Disc, Nost for Nostalgia Book Club and Phon for Phontastic. Arrangers are abbreviated in the following manner: Jeff Alexander (JA), Count Basie (CB), George Bassman (GB), Henry Brandt (HB), Ralph Burns (RB), Joe Bushkin (JB), Toots Camarata (TC), Buck Clayton (BC), Duke Ellington (DE), Margie Gibson (MG), Thomas Goodman (TG), Buster Harding (BH), Fletcher Henderson (FH), Les Hite (LH), Richard Maltby (RM), Skip Martin (SM), Jimmy Mundy (JM), Jack Pleis (JP), Mel Powell (MP), Edgar Sampson (ESa), Eddie Sauter (ES), Sonny Skylar (SS), Alec Wilder (AW), Mary Lou Williams (MLW). However, the CDs contained in this set are sequenced with the master take first and then any alternates at the conclusion of the disc. Alternate takes that were chosen not to be part of this set are omitted from this discography. Supervised by John Hammond NYC, October 2. Mozart Matriculates (HB- arr) BD T- 1. LP)Note: According to the Columbia logs, matrix WCO 2. A was assigned to this title. However, Mozart Matriculates wound up being scrapped and the matrix given to a recording of Frenesi by a Spanish sextet. Supervised by John Hammond NYC, October 2. WCO 2. 62. 02- A Let. No mention is made of the regular WCO matrix numbers on these lacquers and each take is listed numerically rather than alphabetically as are found on the originally issued 7. Sessions (J) through (M) have been misdated in various discographies. The true recording dates were discovered by Goodman discographer Russ Connor in the form of letters from the World Broadcasting System studios in Hollywood to Columbia Records in NY. The newly found lacquers mentioned above confirmed these dates as they were notated on each disc. As is noted in session (H) there is some debate whether Arnold Covey or Charlie Christian is the guitarist on this session. Since the American Federation of Musician session logs list Christian as being present, we have chosen Christian for this date. LA, April 3. 0, 1. HH 2. 45. 0 / WCO 2. A (- 4) Who Cares (So Long As You Care For Me) (FA- vcl) (ES- arr) . LA, June 2. 5, 1. HH 2. 47. 0 / WCO 2. B (- 5) Nostalgia (Waltz) (ES- arr) Col 3. NYC, November 2. 9, 1. CO 2. 91. 79- 2 Frenesi (FH- arr) Col 3. Burnside - Wikipedia. R. Burnside. Background information. Birth name. Robert Lee Burnside. Born(1. 92. 6- 1. November 2. 3, 1. Harmontown, Lafayette County, Mississippi, United States. Origin. Oxford, Mississippi, United States. Died. September 1, 2. Memphis, Tennessee, United States. Genres. Blues, garage rock. Instruments. Guitar, vocals. Years active. 19. Labels. Fat Possum. Associated acts. Calvin Jackson. Jon Spencer. Robert Lee Burnside, known as R. Burnside (November 2. September 1, 2. 00. American blues singer, songwriter, and guitarist. He played music for much of his life but received little recognition before the early 1. In the latter half of the decade, Burnside recorded and toured with Jon Spencer, garnering crossover appeal and introducing his music to a new fan base in the punk and garage rock scene. Life and career. His first name is variously given as R. L., Rl, Robert Lee, Rural, Ruel or Rule. His father left the family early on, and R. He first heard Mc. Dowell playing at age 7 or 8. He married Alice Mae Taylor in 1. At first he kept to particularly remote dwellings. After coming back to Mississippi, and especially after marrying. His career boomed in the last twenty years of his life. His earliest recordings were made in 1. George Mitchell, then a graduate student of journalism. Mitchell and his wife went on a 1. Mississippi, which resulted in the first recordings of several country blues artists. Another album of acoustic material was recorded in 1. Adelphi Records, not to be released until thirty years later. Recordings from 1. Veasey or Ulysse Red Ramsey. Although not recorded, by that time Burnside also played electric guitar. They offered a rare fusion of rural and urban blues, funk, R& B and soul. An EP, Sound Machine Groove, was released by Evans's label in the US but had next to no distribution. Selections focused on hill country material and starker, less danceable songs by Hopkins, Waters and Hooker. The results were four more LP releases and a videotape under his name, all in European markets. Erlanger: Acoustic Stories (a session from 1. Well, Well, Well (a 2. Morris). Burnside remained with Fat Possum from that time until his death. Their first output was Bad Luck City (1. Sound Machine. The next, Too Bad Jim (1. Junior's Place and produced by Palmer, with support from Calvin Jackson and Kenny Brown. The experiment started with a track in Mr. He warmed for the Beastie Boys. An influx of visitors and young musicians were attracted to Junior's Place, but it burned down in 2. Documentary coverage of his current life and work expanded too. Bradley Beesley filmed the 6. Hill Stomp Hollar, a film about Burnside and other Fat Possum artists, that received positive response. A 1. 99. 9 date in Paris' . He had an ear infection and underwent a heart surgery in 1. Francis Hospital in Memphis, Tennessee on September 1, 2. Around the time of his death, he resided in Byhalia, Mississippi. His immediate survivors included. His son Duwayne Burnside has played guitar with the North Mississippi Allstars (Polaris; Hill Country Revue with R. He has operated music venues named after Burnside and Alice Mae in Chulahoma, Memphis. His son Garry Burnside used to play bass guitar with Junior Kimbrough, North Mississippi Allstars, and Hill Country Revue; in 2. Cedric. His son- in- law Calvin Jackson (died 2. Burnside's generation and younger. His grandson, Kent Burnside, is also a touring blues musician. Kent is currently touring with the Flood Brothers and released an album with them in 2. Kenny Brown has released four albums and toured with the family and his own band. Burnside won one W. Handy Award in 2. Traditional Blues Male Artist of the Year). Several of the Mississippi Blues Trail markers, which have been erected since 2. In 2. 01. 4 he was induced to the Blues Hall of Fame in Memphis. Germain used samples of Burnside's . His drone- heavy style was more characteristic of North Mississippi hill country blues than Delta blues. Like other country blues musicians, he did not always adhere to strict 1. Many of these songs eschew traditional chord changes in favor of a single chord. Burnside played the guitar fingerstyle—without a pick—and often in open- G tuning. He and his later managers and reviewers maintained his persona as a hard- working man leading a life of struggle. He narrated long jokes in concerts and social events. Wizard (Fat Possum, 1. Jon Spencer. Come On In (Fat Possum, 1. My Black Name a- Ringin' (Genes, 1. Wish I Was in Heaven Sitting Down (Fat Possum, 2. A Bothered Mind (Fat Possum, 2. Live albums. Burnside (1. Sophie Kertesz, produced and distributed by Cin. The Real Deal: Experiencing Authenticity in the Music of R. L. University of Mississippi. OCLC 8. 21. 43. 66. Smirnoff, Marc, ed. The Oxford American Book of Great Music Writing. Fayetteville: University of Arkansas.^Burnside would later draw upon this experience in his work, particularly in his interpretation of Skip James's . September 1. 99. 5: 9. I just meant to shoot the sonofabitch in the head and two times in the chest. Him dying was between him and the Lord. Burnside 'House Party' Style Recordings Reissued. Mississippi Blues Trail. Burnside was instrumental in Falco becoming a guitarist. Contemporary projects, that used archival blues samples, included Moby's extremely successful Play (1. Tangle Eye's remix of Alan Lomax material (2. Alabama 3's Exile on Coldharbour Lane (1. Retrieved December 3. Burnside Plays and Sings the Mississippi Delta Blues. Retrieved 2. 0 October 2. Birthplaces of Mississippi Blues Artists (Map). Mississippi Blues Trail. Blues: A Regional Experience. ISBN 9. 78- 0- 3. Wavelength: New Orleans Music Magazine (5. Burnside: One Badass Bluesman: Interview and Photos. Perfect Sound Forever. Burnside: North Mississippi Blues Legend. You See Me Laughin' (see filmography), minutes 2. Evans, David (1. 97. Afro- American Folk Music from Tate and Panola Counties, Mississippi(PDF), Archive of Folk Song, Library of Congress, p. Bruin, Leo, and Laundre, Kent. Liner notes of Mississippi Hill Country Blues. Burnside's Sad 'Story'. Burnside & Kenny Brown. Contemporary Black Biography. The South Reporter : Part 1; Part 2.^ abcdef. Mc. Inerney, Jay. Encyclopedia of the Blues (second ed.). University of Arkansas Press. ISBN 9. 78- 1- 6. Notes to High Water 4. EP (scan), and to Sound Machine Groove, 1. Mississippi Blues Trail. Observer Music Monthly. Burnside Welcomes All to 'Come On In'. Mississippi Business Journal. Arhoolie 1. 04. 2 (1. Booklet of The George Mitchell Collection (2. FP 1. 11. 4. Quoted in Jeff Harris (2. See also 1. 97. 5 setlist^Morse, Erik. The Local Voice (1. Archived from the original on 2. Jefferson Blues Magazine, Issue 1. March 2. 00. 4. Swedish original, via Google Translate^ ab. James Lien (November 1. CMJ New Music Monthly. Retrieved 2. 01. 6- 0. Google Groups. Burnside With Johnny Woods – Live 1. Part 2 was filmed in Swingmaster's record shop, Groningen (The Netherlands) in 1. Swingmaster. San Francisco Blues Festival. La Stampa Cuneo (in Italian). Retrieved June 2. Nielsen Business Media. Liner notes to Too Bad Jim, 1. Burnside Brews Blues on Matador. Not The Jon Spencer Blues Explosion. Spencer Calls Its Music . The Philadelphia Inquirer. Burnside found the hip- hop audience. Retrieved June 1. Burnside Scheduled For Heart Surgery. Retrieved June 1. Burnside Not Ready for Heaven Yet. Burnside - Chart history. Retrieved May 1. 1, 2. Third Coast: Outkast, Timbaland, and How Hip- Hop Became a Southern Thing. Burnside, 7. 8, Master of Raw Mississippi Blues, Dies. Retrieved June 1. Retrieved April 2. Archived from the original on 2. The Commercial Appeal, Memphis. Thefrontlinemusic. Thefrontlinemusic. Retrieved May 1. 1, 2. American Blues Scene Magazine. Liner notes to Acoustic Stories (1. David Evans (2. 00. In John Shepherd; David Horn; Dave Laing; Paul Oliver; Peter Wicke. Continuum Encyclopedia of Popular Music of the World: Part 1, Performance and Production. ISBN 9. 78- 1- 8. Subcultures: The Basics. ISBN 9. 78- 1- 1. Od vremena kad je pop Marko Mesi. U nekim je hrvatskim krajevima pop pogrdna rije. Dok sam se spremao za sve. A na latinskom je on kratica od pater omnium pauperum = otac svih siromaha. Nastojao sam uvijek dr. Pop je i ekumenska rije. Povijesna je rijetkost . 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Te je savjete fra Juro godinama marljivo skupljao i isku? Svima odgovaram: Ovdje sam u prekrasnoj Lici. ![]() John Shook is an industrial anthropologist and senior advisor to the Lean Enterprise Institute, where he works with companies and individuals to. T was Groucho Marx who said, “I’ve had a wonderful time, but this wasn’t it.” Many people with kidney disease could say the same thing about life with kidney. Supreme Court Adopts Rule for Discovery Sanctions Set Forth in Phil Goldberg’s Amicus Brief for National Association of Manufacturers. Managing to Learn by Toyota veteran John Shook, reveals the thinking underlying the vital A3 management process at the heart of lean management and lean leadership. Conflict can exist between factions or groups within a team, with a leader or manager, and with other teams or departments within the company. The UK source for Lean Thinking and Practice. 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Other citizens answered the call to lend a helping hand. State and local governments took a leading role to prepare their communities for the disaster and mobilize once the storm hit. The American Red Cross initially mobilized more than 1,0. East Coast. Local Red Cross chapters provided shelters for those in need of housing. The organization worked with local emergency management officials to determine where help was needed most. Fortunately, America is still a resilient nation. Disaster Response In the aftermath of Hurricane Sandy, the federal government responded by doling out more than $6. Part of the problem driving the need for emergency spending is the increasing volume of disaster declarations issued by the Federal Emergency Management Agency (FEMA) over the past two decades. Each declaration issued by FEMA drains the Disaster Relief Fund (DRF), a fund intended for emergencies that overwhelm state resources. If FEMA reserved the DRF and its resources for nationally catastrophic disasters, the need for emergency spending would drop significantly. The pace of FEMA declarations has increased with each new President. In just eight years, President George W. Bush issued nearly as many FEMA declarations as Presidents Reagan, George H. Bush, and Clinton combined. In 2. 01. 1 alone, President Obama issued more FEMA declarations than President Reagan did in eight years and President George H. Is it any surprise that the DRF keeps running out of funds, thereby requiring emergency appropriations? The increase in disaster declarations is largely a result of the Robert T. Stafford Disaster Relief and Emergency Assistance Act of 1. Stafford Act), the controlling federal statute for disasters. Under this act, the federal government pays 7. FEMA has issued a disaster declaration. Meeting the requirements for such a declaration is relatively easy: The disaster in question must be “of such severity and magnitude that effective response is beyond the capabilities of the State and the affected local governments and that Federal assistance is necessary.”. In order to prevent this situation from continuing in the future, Congress should: Modify the Stafford Act to establish clear requirements that limit the situations in which FEMA can issue declarations. As the litmus test for federal disaster dollars, the Stafford Act fails to clearly establish which disasters meet the federal requirements and which do not. Congress should correct this ambiguity by establishing clear requirements that limit the types of situations in which declarations can be issued. This should include eliminating some types of disasters entirely from FEMA’s portfolio. One way to accomplish this is to align declarations with the various scales used for disasters (such as the Saffir–Simpson Scale, the Richter Scale, and the Fujita Scale). Another way is to raise the minimum- dollar threshold for requesting disaster declarations. Doubling the per capita threshold to a minimum of $5 million (and a maximum threshold of $5. FEMA’s Operational Tempo and Lack of Preparedness Nothing typifies the extent to which states rely on the federal government for disaster spending like New Jersey Governor Chris Christie’s (R) demand that the federal government essentially give him a blank check to deal with Hurricane Sandy. He has watched for years as FEMA paid for disasters all over America that were far less damaging than what New Jersey experienced after Hurricane Sandy. He understandably believed it was his state’s turn to receive FEMA’s largesse. Governor Christie’s position reveals, however, just how dependent states have become on federal funding. Indeed, New York Governor Andrew Cuomo (D) demonstrated this dependence, as well. The fact is that neither New Jersey nor New York has a disaster relief fund. After two decades of an increasingly active and generous FEMA, governors have slashed preparedness budgets and drained any disaster rainy day funds over the past 1. If FEMA will pick up the tab, why should governors not spend their tax funds elsewhere, particularly during tough economic times? That means that states must begin planning for disasters as they once did from 1. The first step is for states to allocate money to disaster relief funds that will give them the ability to fund their own disaster response and recovery operations directly. Without a return of responsibility to the states, the federalization of routine disasters will continue to require FEMA to become involved with a new disaster somewhere in the United States at the current pace of every 2. This high operational tempo is affecting FEMA’s overall preparedness because it keeps FEMA perpetually in a response mode, leaving little time and few resources for catastrophic preparedness. Hurricane Sandy illustrated this problem once again. With Staten Island left to its own devices without federal assistance for several days, people began to criticize FEMA’s response. She also made dozens of calls, chased contractors’ trucks through her neighborhood on foot and by car, and one time even tried to block them with her car in order to force a conversation. The final straw came when she met a Rapid Repairs’ worker looking for a nearby home that is only occupied in the summer. Government Accountability Office (GAO), FEMA’s track record on long- term recovery efforts is spotty, at best. Otherwise, finite resources will continue to be expended inefficiently and ineffectively. The fact is that FEMA spends too much time responding to routine natural disasters, such as small- scale tornadoes and snowstorms, and not enough time preparing for catastrophic natural disasters, such as hurricanes, earthquakes, and volcanic eruptions, which have wide regional impacts. This increases the likelihood that the federal response to catastrophic events will be insufficient, as once again demonstrated by the response to Hurricane Sandy. In order to reverse this trend: Congress should reduce the federal share for all FEMA declarations to a maximum of 2. This way at least three- fourths of the costs of a disaster are borne by the taxpayers living in the state or states where the disaster took place. For catastrophes with a nationwide or regional impact—such as 9/1. Hurricane Katrina—a relief provision could provide a higher federal cost- share if the total costs of the disaster exceed a certain threshold. The Role of the National Guard and Coast Guard FEMA’s operational tempo and lack of preparedness can be contrasted with that of the National Guard and Coast Guard before and after Sandy made landfall. Leading up to the storm’s arrival, the National Guard mobilized with great efficiency and competence. Through the use of relatively new command structures, streamlining direction and information gathering, and use of specialized units, the National Guard, in conjunction with other state forces as well as active duty military personnel, was poised to respond to Hurricane Sandy well in advance. Having learned in recent catastrophes, such as Hurricane Katrina, the value of “dual- status commanders”—generals that can have both state and federal authority—they were appointed by the governors of Maryland, New Hampshire, New York, and New Jersey prior to Sandy’s landfall. This structure employs commanders who “have been trained to preserve the two separate chains of command of federal and state forces, helping to coordinate troops and reduce redundancies.”. In Katrina, active duty and National Guard operations, even those that were seemingly identical in practice, were directed by two separate chains of command. The dual- status structure of the National Guard during Hurricane Sandy, however, enabled state and federal military responders to receive the instructions from the same personnel and operate in a more streamlined fashion. This command structure, as well as the general state of readiness of the National Guard, allowed it to put 6. Hurricane Sandy approached the U. S. However, due to the nature of the incident, and the evidently robust state force responses from New York and New Jersey, only 1. Hurricane Sandy. Operations performed by the guard included search and rescue on land (the Coast Guard operates search and rescue at sea), food and water distribution, debris removal and route clearance, traffic control, fuel distribution for response vehicles, power generation support, and assistance in maintaining civil order. In Massachusetts, for example, a National Guard Civil Support Team (CST), a unit for emergency preparedness support, was activated to respond to a possible hazardous material threat, but local response forces determined that they had control of the situation. Indeed, the New Jersey National Guard’s 2. CST was deployed to Brick Township, New Jersey, during the incident to enhance the local responders’ communications systems. These teams have resources not necessarily available in local regions threatened by a storm, but work under the direction of the governors. In the case of the New Jersey 2. CST, the guard implemented a Joint Incident Site Communications Capability (JISCC). 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Freeware Weather Fax 2000 Manual![]() Receiving NOAA Weather Satellite Images. Everyday multiple NOAA weather satellites pass above you. Each NOAA weather satellite broadcasts an Automatic Picture Transmission (APT) signal, which contains a live weather image of your area. The RTL- SDR dongle combined with a good antenna, SDRSharp and a decoding program can be used to download and display these live images several times a day. This tutorial will show you how to set up a NOAA weather satellite receiving station, which will allow you to gather several live weather satellite images each day. Most parts of this tutorial are also applicable to other software radios, such as the Funcube dongle and Hack. RF and Airspy, but the RTL- SDR is the cheapest option. Hardware radio scanners can also work, provided the radio has a large IF bandwidth (3. Hz +) and a discriminator tap. Note that if you have success with this tutorial, you may also be interested in decoding Meteor M N2 weather satellites which provide much higher resolution images. Also, an alternative tutorial for decoding NOAA satellites that uses rtl. He used a RTL- SDR with SDRSharp, WXto. Img, a QFH antenna and also an LNA. Requirements and Setup. Buy Weather Stations and more in our comprehensive Weather Instruments stores. Weather Graphics is your source for weather forecasting tools, software, and books. To set up a NOAA weather satellite receive station you will need: An RTL- SDR dongle working with SDRSharp. If you have not bought a dongle yet, see the Buy RTL- SDR page for information and the check out the Quickstart Guide for an easy setup routine with SDRSharp. You will also need to have an audio piping method installed and set up. Audio piping will allow the audio from SDRSharp to be passed to a decoding program. You can use either windows stereo mix, VB- cable (free) or virtual audio cable (paid with trial version). NOAA Weather Satellite Antennas. The NOAA APT weather satellites broadcast their signal at about 1. MHz, and their signals are also right hand circularly polarized (RHCP), which means you will need a right hand circularly polarized antenna to properly receive the signals. This is because as the satellites broadcast their signal, they also rotate, rotating the signal polarization. Satellite antennas are also designed to receive best from signals coming from the sky. Three options for easy home made circularly polarized satellite antennas are presented below. Turnstile Antenna. A turnstile antenna is a circularly polarized antenna. It can be built in two modes, normal and axial. For satellite reception we want it in axial mode. A page showing a turnstile antenna for 1. MHz is here. Quadrifilar Helix (QFH) Antenna. A Quadrifilar Helix (QFH) is a circularly polarized antenna that can be constructed out of PVC pipe and coax cable. Most people report that the QFH antenna has slightly superior reception compared to the turnstile. If you are into antenna theory, a good technical paper on the QFH (called QHA in the paper) can be found here. A tutorial on building a QFH out of coax cable and PVC pipe can be found here. Another home brew QFH antenna constructed out of copper wire is here. Also, a good calculator for determining QFH antenna dimensions for 1. MHz can be found here. Double Cross Antenna (DCA)Another antenna that works well with the NOAA APT satellites is the double cross antenna (DCA). It is basically four dipoles arranged in a certain way to produce circular polarization. A good guide on DCA antennas, and constructing them can be found in this pdf guide by Gerald Martes (KD6. JDJ). Yagi antennas can also work, but since they are so directional you will need to carefully track the satellite by hand, or by using a rotor controller. Although not designed for satellite reception, you may also see limited success with other antennas such as quarter wave ground planes and discones, but you will probably discover that the signal will fade in and out. Software Tutorial. The NOAA satellites only pass overhead at certain times of the day, broadcasting a signal. These signals appear at around ~1. MHz, and only when a satellite is passing overhead. Each satellite has a different frequency. Currently only NOAA satellites 1. NOAA 1. 5 – 1. 37. MHz. NOAA 1. 8 – 1. MHz. NOAA 1. 9 – 1. MHz. An example of a NOAA APT weather satellite signal is shown zoomed in and out on the frequency spectrum directly below and an example audio file of the signal is shown further below. APT Signal Zoomed in. APT Signal Zoomed Outhttp: //www. NOAAAPT. ogg. WXto. Img Tutorial. WXto. Img is a free weather satellite decoding program which can decode the APT signal, and also tell you the times and frequencies of the NOAA satellites passing overhead. There is also a paid version of WXto. Img which can unlock more features, however it is not required for use with RTL- SDR. To use WXto. Img and SDRSharp together follow the instructions below. First, download and install WXto. Img from their homepage here. Next open WXto. Img, and then set your Ground Station Location, (which is the coordinates of your antenna) by going to Options - > Ground Station Location. The city you are in should suffice, but you can be more accurate by entering in an exact latitude and longitude if you want. In WXto. Img set your audio piping method which you have chosen. To do this go to Options - > Recording Options, and ensure the correct device is selected under the soundcard option. Also, here you can adjust the “Record only when active APT satellites are overhead” “with maximum elevation above (degrees)” and “record only when satellite is above (degrees)” settings. You may want to reduce the default values if you have an antenna with a good view of the sky and find that WXto. Img stops recording or doesn’t start fast enough even though the APT signal is present in SDRSharp. Now you will need to update your Kepler files. These files contain the information about satellite locations. They need to be periodically updated, because satellites drift in their orbit over time. Go to File - > Update Keplers to do this. Make sure you have an internet connection for the update. Now you can go to File - > Satellite Pass List, and find a time when a satellite will be passing overhead. Take note of the frequency as well. When the time comes for the satellite to appear, open WXto. Img, and then go to File- > Record, and click on Auto Record. The recording and decoding will begin when the satellite appears on your horizon, and stop when it goes out of view according to the times in the satellite pass list. Open SDRSharp select the audio piping method you are using under the Audio Output drop down box and then tune to the frequency that the satellite will be broadcasting at. Adjust the gain settings in SDRSharp under the Configure button so that you get good reception of the signal. Set the receive mode to WFM, filter bandwidth to 3. Hz and Filter Audio set to OFF. It may also be useful to ensure Snap to Grid is unchecked. As the RTL- SDR is not frequency accurate, and also due to the Doppler effect, the signal may not be at the exact frequency it should be at. Just adjust the frequency in SDRSharp until it is centered on the satellite signal. You may also increase the filter bandwidth beyond 3. Hz if there are no nearby interfering signals to cover the entire travel of the signal. Adjust the volume in SDRSharp and/or Windows volume settings so that the volume bar in the bottom right hand corner of WXto. Img shows a green color. WXto. Img should now be decoding and showing the weather satellite image as it is received. You may need to periodically adjust the frequency to center the signal as the Doppler effect will cause it to move. But, with the RTL- SDR adjusting for the Doppler shift is not critical as the filter bandwidth can be simply set larger than 3. Hz (try 3. 6 - 4. Hz) so that it is large enough to receive the entire signal even as it as it shifts. Once the image has been fully received, you can play with the options under the Enhancements and Projection menu in order to add false color and enhance the received image. Orbitron Tutorial. It is not entirely necessary for these NOAA satellites, but if you want the Doppler effect to be automatically adjusted for in SDRSharp or you want to automatically record all satellite passes then you can use free a program called Orbitron, which with the aid of a plugin, will interface with SDRSharp. Download and install Orbiton from their website here. Download the SDR# Orbitron DDE tracking and scheduler plugin from here. Extract all the plugin files to the SDR# directory. With notepad or another text editor open Plugins. Within the < sharp. Plugins> < /sharp. Plugins> tags add the line < add key=”DDE Tracking Client” value=”SDRSharp. DDETracker. Dde. Tracking. Plugin,SDRSharp. DDETracker” /> at the end. Open Orbitron in Administrator Mode (if in Windows Vista/7/8), by right clicking it, and selecting Run as Administrator. Orbitron may open in full screen mode. Press Alt+Enter to exit full screen if you wish. You will probably be initially presented with a TLE file update screen. You can leave all the boxes as default. Click on the update button, which is the icon with a globe and lightning bolt. Orbitron will download the new TLE files. The TLE files contain the satellite orbit information, and will need to be periodically updated every few days. Running Orbitron in Administrator mode is important, as otherwise the updated TLE files will not be saved. In order to have Orbitron accurately track the satellites it is important that your Windows PC time is accurate. Orbitron comes with a method to synchronize your PC time to the NTP servers, which provide accurate time. In the setup screen click on the Time Synch tab, and click on the Synchronize PC clock button (looks like a lightning bolt) to automatically synchronize the time. You may also wish to select the Synchronize PC clock when Orbitron starts checkbox if your PC is always connected to the internet. Close Orbiton. 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